November 28, 2010

Symbol (Hitoshi Matsumoto, 2009)

Symbol never lives up to its potential, choosing rather to limit itself to slapstick gags, immature, dull and predictable.
November 28, 2010

Love in a Puff (Ho-cheung Pang, 2010)

Love in a Puff (Pang Ho-cheung, 2010), from one of Hong Kong most promising directors, stands out as a great example of how to do romantic comedies right.
November 24, 2010

Crows Zero 2 (Takashi Miike, 2009)

In Crows Zero 2, the Miike cool is in full display in the characters,modern day warriors haunting the streets of Tokyo in search of a good fight.
January 2, 2012

Don’t Go Breaking My Heart (Johnny To and Wai Ka-fai, 2011)

Johnny To and Wai Ka-fai are two of the best Hong Kong directors of their generation (and To is one of the world’s best) and their production company, Milky Way, is a prominent example of industrial filmmaking without sacrificing quality and creativity. Don’t Go Breaking My Heart is an example of Milky Way’s effective filmmaking formula, and both filmmakers love […]
March 11, 2013

Warriors of the Rainbow: Seediq Bale (Te-sheng Wei, 2011)

Warriors of the Rainbow: Seediq Bale is an epic tale about the indigenous people of Taiwan before the encroachment of the Japanese.