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September 28, 2010
Cronenberg’s discourse through Videodrome and eXistenZ
This essay will explore the duality of Cronenberg’s works, as a statement on man’s curiosity and an open window to the unknown in Videodrome and eXistenZ.
March 22, 2010
Funny Dirty Little War (Hector Olivera, 1983)
Although separated by more than a decade, Funny Dirty Little War and Macunaïma both try to provoke social change by using satire.
September 28, 2010
Flowers of Shanghaï (Hsiao-Hsien Hou, 1998)
Hou Hsiao Hsien’s depiction of life in Flowers of ShanghaÏ explores the inherent contradictions in the era’s Chinese society.
October 1, 2010
Come Drink With Me (King Hu, 1966)
In Come Drink With Me, King Hu considers each of the director’s tools, using camera movement differently than editing or the wide-screen space.
March 22, 2010
Les Carabiniers (Jean-Luc Godard, 1963)
In Les Carabiniers, Godard is in control, from playing with our scopophilic gaze in the makeshift rape scene or denying us narcissistic satisfaction.
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