The African diaspora: Colonialism and displacement

14 years ago

The transatlantic slave trade was one of the most disruptive acts in history, separating Africans from their backgrounds, traditions, and…

African cinema, Ousmane Sembene and the Western gaze

14 years ago

In its perspectives and traditions, African cinema draws the spectator into its narrative, nurturing a symbiotic relationship with life itself.

Election (Alexander Payne, 1999)

14 years ago

There are some movies that change your perception of what is possible, what is allowed. Alexander Payne's Election was that…

What is independent cinema?

14 years ago

What is independent cinema? Critics and film scholars have wrestled with a definition of independent for most of cinema’s existence.

Come Drink With Me (King Hu, 1966)

14 years ago

In Come Drink With Me, King Hu considers each of the director’s tools, using camera movement differently than editing or…

Central Station and the Cinema Novo tradition

14 years ago

Central Station is one of the most popular and internationally acclaimed Brazilian films of the 1990s. It heralded a renaissance…

Coming Home: Melodrama and social change

14 years ago

David Ehrenstein condemns melodramas like Coming Home for perpetuating the illusion that they can affect social change instead of creating…

Cronenberg’s discourse through Videodrome and eXistenZ

14 years ago

This essay will explore the duality of Cronenberg’s works, as a statement on man’s curiosity and an open window to…

In the Mood for Love (Wong Kar-wai, 2000)

14 years ago

Wong Kar-Wai is considered influential. In the Mood for Love (2000) was a big commercial success for him. How does…

Flowers of Shanghaï (Hsiao-Hsien Hou, 1998)

14 years ago

Hou Hsiao Hsien’s depiction of life in Flowers of ShanghaÏ explores the inherent contradictions in the era’s Chinese society.